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Mountain Gorge in Winter


Utagawa Hiroshige, Mountain Gorge in Winter, 1840/1844, color woodblock print on paper; ōban nishiki-e; vertical diptych, The Mary Andrews Ladd Collection, public domain, 32.562a,b

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Details
Title

Mountain Gorge in Winter

Related Titles

original language: 雪中山水

transliterated: Setchū sansui

Artist

Utagawa Hiroshige (Japanese, 1797–1858)

Related People

publisher: Sanoya Kihei (Japanese, active 18th-19th century)

Date

1840/1844

Period

Japan: Edo period (1615-1868)

Medium

color woodblock print on paper; ōban nishiki-e; vertical diptych

Catalogue Raisonné

Forrer 1997, no. 118.

Dimensions (H x W x D)

sheet: 28 1/4 in x 9 15/16 in

Inscriptions & Markings

artist's seal: 弌立斎, printed in red intaglio within square cartouche, upper left Transliteration (Translation): Ichiryūsai ([seal of the artist Utagawa Hiroshige 歌川広重]) Language: Japanese

signature: 廣重筆, printed in black ink, upper left Transliteration (Translation): Hiroshige hitsu (brushed [by] Hiroshige) Language: Japanese

Collection Area

Asian Art; Graphic Arts

Category

Prints

Japanese Traditional Prints

Object Type

relief print

Culture

Japanese

Credit Line

The Mary Andrews Ladd Collection

Accession Number

32.562a,b

Copyright

public domain

Terms

diptychs

Edo

gorges

Japanese woodblock prints

landscapes

nishiki-e

relief printing

relief prints

snow

The Mary Andrews Ladd Collection

waterfalls

winter

woodcuts

Description

In this dramatic snowscape, a host of majestic peaks towers over diminutive figures heading to a village nestled in the depths of a gorge. The print’s long vertical format and forceful calligraphic lines recall a hanging-scroll painting (kakemono). Hiroshige has also borrowed from the Chinese landscape painting tradition to create a layered composition through which the eye and mind can travel. In Chinese ink painting, landscapes offered the viewer an imaginative escape to the country, away from the stresses of city life and civic duties. More affordable than an ink painting, this print diptych was perhaps designed to offer the solace of nature to the average Edo townsman.

History
Exhibitions

2022; 2023 Human Nature: 150 Years of Japanese Landscape Prints Portland Art Museum

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